The duo are set to play songs from 44/876 including Just One Lifetime and will collaborate on each other’s most celebrated hits such as ‘Every Breath You Take,’ ‘Englishman In New York,’ ‘Message In A Bottle,’ ‘It Wasn’t Me,’ ‘Mr. An accompanying CD, BACK TO CALIFORNIA, was released on Rhino.As uDiscover Music previously reported, Sting & Shaggy have announced a North American tour this fall. CANYONS was published in the UK by Fourth Estate and in the US by John Wiley & Sons. HOTEL CALIFORNIA: SINGER-SONGWRITERS & COCAINE COWBOYS IN THE L.A. Barney recently edited THE SOUND AND THE FURY: A ROCK’S BACKPAGES READER.Ģ003 saw updated reissues of WAITING FOR THE SUN (Bloomsbury) and ACROSS THE GREAT DIVIDE (Pimlico), together with the collection RAGGED GLORIES: CITY LIGHTS, COUNTRY FUNK, AMERICAN MUSIC (Pimlico). RBP has been acclaimed as a major archival resource by MOJO, THE GUARDIAN, ENTERTAINMENT WEEKLY and many others. In 2000 Barney became Senior Editor of CDNOW in London, leaving to set up Rock’s Backpages.
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He is a regular broadcaster and pundit on both radio and television, appearing on The TOP TEN series (CHANNEL 4), The I LOVE THE 80s/90s series (BBC 2), WALK ON BY (BBC 2), BEHIND THE MUSIC (VH1) and CLASSIC ALBUMS (BBC2). 1999 saw the publication of the bestselling THE MULLET: HAIRSTYLE OF THE GODS, written with Mark Larson and published by Bloomsbury.Īfter four years in America, Hoskyns returned to London, writing for GQ (U.S.), SPIN (U.S.), REVOLVER (U.S.), MOJO, THE GUARDIAN, THE INDEPENDENT and the TELEGRAPH magazine. In 1998, Faber (UK) and Simon & Schuster (US) published his GLAM! BOWIE, BOLAN & THE GLITTER ROCK REVOLUTION, tying in with Todd Haynes’ VELVET GOLDMINE. BUREAU CHIEF of MOJO, simultaneously contributing to such American publications as HARPER'S BAZAAR, INTERVIEW, SPIN and ROLLING STONE, as well as to AMAZON and CDNOW. Between 19, Hoskyns worked as ASSOCIATE EDITOR and then U.S.
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Gleason award in the U.S.Īside from his books, Hoskyns has written regularly on pop culture and the arts for British VOGUE, where for five years he was a Contributing Editor, and for THE TIMES, THE GUARDIAN, THE INDEPENDENT, THE OBSERVER and ARENA. Martin’s Press, 1996) was nominated for a Ralph J. His WAITING FOR THE SUN: STRANGE DAYS, WEIRD SCENES & THE SOUND OF LOS ANGELES (UK: Viking/US: St.
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Hoskyns’ other books include JAMES DEAN: SHOOTING STAR (UK: Bloomsbury/ US: Doubleday, 1989), MONTGOMERY CLIFT: BEAUTIFUL LOSER (UK: Bloomsbury/ US: Grove, 1992), ACROSS THE GREAT DIVIDE: THE BAND AND AMERICA (UK: Viking/US: Hyperion, 1993) and the novel THE LONELY PLANET BOY: A POP ROMANCE (UK/US: Serpent’s Tail, 1995). The result was SAY IT ONE TIME FOR THE BROKENHEARTED (UK: Fontana, 1987 Bloomsbury reissue 1998). In 1985, he quit his job as staff writer at NME to research a book about soul music. Barney Hoskyns began writing about music for MELODY MAKER and NEW MUSICAL EXPRESS after leaving Oxford University in 1980.